The final voice recordings have been delivered, so now we have the dialogue for the full movie in house. I've been taking the last couple of weeks to go back and fix some niggling visual errors that have been bugging me in the initial batch of footage.
The scene in question takes place out in front of an inn at dusk, with the inn's windows lit from inside by lamplight. In the original footage, it appears as if each pane of the window had been painted bright yellow. The fixed footage makes it appear as if the entire window is lit from within by a warm glow. In order to acheive the effect I wasted time with another screwup; I painted all the windows green in order to greenscreen them out and lay the glow effect behind them; this produced very ragged jags around the figures that passed in front of the windows and had to be re-done. The second attempt involved removing the back of the model so I would have a nice alpha channel to work with. Needless to say, that method produced the best result.
I'm anxious to get back to work on animation but work and other domestic issues are taking center stage; in September, my sister is getting married. In addition, a number of family members are flying in from over seas, so it's sure to be a month full of activity.
Once I do get back to FRANKENSTEIN VS THE WOLFMAN, I'm thinking of working on a scene from late in the movie that I've been looking forward to since I conceived of the project - a black and white origin-of-the-Wolfman sequence that's been planned to be done in black and white.